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            <title>Liang You, Animal Images</title>
            <description>Selection of images featuring anthropomorphosized animals, creatures made strange through visual association and juxtapositions, or otherwise rendered as family, spectacle, or collectible. From The Young Companion (良友), 1926-1937.</description>
            
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            <title>1926 no.1, p. 14</title>
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            <title>1926 no. 4, p. 14</title>
            <description>Midget and monkey from a Shanxi midget show.</description>
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            <title>1926 no. 7, p. 15</title>
            <description>&quot;Love me, love my dog!&quot; -- Chinese screen stars and their pet dogs.</description>
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            <title>1926 no. 9, p. 18</title>
            <description>motherly love in the animal kingdom</description>
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            <title>1928, no. 23, p. 17</title>
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            <title>1928, no. 32, p. 36</title>
            <description>Bear&apos;s play (遊藝) translates directly into someone else&apos;s livelihood (謀生). Also interesting is that there is no mention of the boy in this theatrical coupling, though one can assume that he leads a similarly harsh life -- psychologically caged, if not literally so.</description>
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            <title>1928 no. 33, p. 28-9</title>
            <description>FREE-FOR-ALL RACE -- THE FASTEST AIR PLANE AND THE SLOWEST SNAIL.</description>
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            <title>1928 no. 28, p. 28-9</title>
            <description>Interesting how animals (and humans who do animal-like work, such as a rickshaw puller) are mechanized by association and statistical figuration, clocked in terms of speed.</description>
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            <title>1929 no. 34, p.17</title>
            <description>A lion photographed in the wild. The emphasis is on the famous hunter who took the photograph. What does the reference to the hunter indicate? The same photo spread also had a picture of Mr. and Mrs. Martin Johnson themselves, shooting movies of African wildlife, as well as a picture of a champion egg-laying hen.</description>
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            <title>1929, no. 35</title>
            <description>Feng Zikai&apos;s 愛護生物 sketches.</description>
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            <title>1930, no. 43, p. 34-5</title>
            <description>PETS OF THE MOVIES. Animals associated with spectacle, as promoted by the modern cinema. Advertising new &quot;all barking pictures&quot; (有聲對吠). One wonders if the dogs were matched with talking *voices* or just the sounds of their barks.</description>
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            <title>1930, no. 43, p. 34-5</title>
            <description>PETS OF THE MOVIES. MGM Studios, Universal, etc.</description>
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            <title>1931 no. 61, pp. 30-1</title>
            <description>GROTESQUES IN ANIMAL LIFE.</description>
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            <title>1931 no. 61, pp. 30-1</title>
            <description>GROTESQUES IN ANIMAL LIFE, part II. A deliberate selection of defamiliarized, but very &quot;real&quot; exotic animals.</description>
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            <title>1931, no. 55, pp. 28-9</title>
            <description>Sheep were prevalent in the pages of Liang You. Here, there is a splash layout dedicated to THE SHEEP.</description>
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            <title>1931, no. 55, pp. 28-9</title>
            <description>Two page spread dedicated to the SHEEP.</description>
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            <title>1931, no. 58, pp. 8-9</title>
            <description>FISHERY IMPROVEMENT EXHIBITION. What is improved about fisheries? Seems their ability to breed an ever-eclectic array of fish and crustaceans.</description>
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            <title>1931, no. 58, pp. 8-9</title>
            <description>Some of these don&apos;t even look very edible to me. But what else are you expected to do with these &quot;products of the sea&quot; (海產)? Grind them up into medicine?</description>
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            <title>1931, no. 58, p. 21</title>
            <description>&quot;THE ZOOLOGICAL GARDEN&quot; (動物園) was a repeat feature, probably just used as space filler where needed. The idea was to collect an array of animals on one page -- enframed or caged, as it were, by the photographic box.</description>
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            <title>1932, no. 71</title>
            <description>THE &quot;Good companions&quot; (良友) to children (featured on the children&apos;s page) are animals and toys.</description>
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            <title>1933, no. 75</title>
            <description>Animals Playing Stunts (動物的演藝)</description>
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            <title>1933, no. 76</title>
            <description>&quot;Skilful members in the circus&quot; (讀者馬戲團)</description>
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            <title>1933, no. 78, pp. 25-6</title>
            <description>The first pull-out spread featuring animals that I have come across. This one features &quot;The Community of Dogs&quot; (走狗展覽).</description>
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            <title>1933, no. 78</title>
            <description>Many nations represented by their dogs -- English bulldog, &quot;national symbol&quot;; the Chinese Peke, Japanese Chin, Scottie.</description>
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            <title>1933, no. 80, p. 33</title>
            <description>In &quot;news of the world,&quot; bottom left corner features a picture of a mother swan ferrying her cygnets along the lake (another anthropomorphosized image of motherly love, of which there is obviously no shortage). Of interest to me is the movie still from *Gold Diggers of 1933* right next to the picture, where the &quot;mass ornament&quot; seems to be translated as 藝術圖案.</description>
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            <title>1933, no. 81, p. 35</title>
            <description>Baby Gandhi, featured with a goat. Perhaps the goat accentuates his Gandhi-ness.</description>
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            <title>1933, no. 82, p. 31</title>
            <description>Pictures of the German 海京柏 Circus. Even the animals are doing the mass ornament!</description>
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            <title>1933, Year End Photo Supplement</title>
            <description>&quot;The Surrounding Attack&quot;</description>
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            <title>1935, no. 101, pp. 44-5</title>
            <description>A 2-page spread about recent efforts to promote the shooting of African animals with cameras, not rifles. &quot;At a feast, shooting the lions with the camera is far more enjoyable than with a rifle.&quot;</description>
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            <title>1935, no. 101, pp. 44-5</title>
            <description>Shooting a lion hunt with a camera rather than a rifle; you get more of a sense of process and action, instead of something dead and taxidermiable.</description>
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            <title>1935, no. 102, pp. 32-3</title>
            <description>Two page spread on &quot;motherly love&quot;.</description>
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            <title>1935, no. 102, pp. 32-3</title>
            <description>&quot;Motherly Love&quot;</description>
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            <title>1935, no. 103, p. ?</title>
            <description>Full-page colored spread of a Pekingese, &quot;或人的寵兒&quot;.</description>
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            <title>1935, no. 104, pp. 38-9</title>
            <description>&quot;The Animal Club&quot; -- I mean, really, what?? A true miscellany of images here, all highly anthropomorphosized. I love it.</description>
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            <title>1935, no. 104, pp. 38-9</title>
            <description>The Animal Club continued, &quot;禽獸之俱樂部生活&quot;</description>
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            <title>1935, no. 107, pp. 68-9</title>
            <description>&quot;Once Enemies, Now Friends&quot;, or a world without war (非戰世界). Slightly surprising pacifist rhetoric for the time.</description>
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            <description>&quot;Once Enemies, Now Friends&quot; continued. Cute Overload would call this &quot;interspecies snorgling.&quot;</description>
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            <title>1935, no. 110, p. 39</title>
            <description>&quot;The Life and Death of an Adder&quot; or, more melodramatically rendered in Chinese, 浪漫的悲劇. Photography reshapes time by offering the snake&apos;s life as a series of unfolding events, similar to the lion hunt but also stretched out over an animal &apos;lifespan&apos;.</description>
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            <title>1935, no. 110, p. 50-1</title>
            <description>Carrier Pigeon, &quot;軍用鴿&quot; -- animals with vocations.</description>
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            <description>This one caught my eye because of an associated article in the Far Eastern Miscellany (東方雜誌) written a few years earlier.</description>
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            <description>Again, animals given vocations -- police dogs in training. Unlike other splash pages which often seem more collaged from an assorted collection of images, this one as well as the story on carrier pigeons is actually quite specific in theme.</description>
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            <title>1935, no. 111, pp. 22-3</title>
            <description>Police dogs in training.</description>
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            <title>1935, no. 112, p. 42-3</title>
            <description>Imitating human behavior, &quot;人類的模仿&quot;</description>
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            <description>Imitating more human behavior. The odd one out seems to be the picture of the &quot;well balanced&quot; dog in the middle. Unless maybe he&apos;s supposed to be weight-lifting. Still, the discrepancy sort of highlights the performative aspect of all these pseudo-human-like acts.</description>
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            <title>1935, no. 112, p. 48</title>
            <description>&quot;An Envious Situation&quot; -- why? And what does that have to do with the Chinese title, &quot;異國情調&quot;.</description>
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            <title>1935, no. 102, p. 24</title>
            <description>There is always some feminine beauty in everything you see.</description>
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            <title>1935, no. 102, p. 24</title>
            <description>There is always some feminine beauty in everything you see.</description>
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            <title>1935, no. 102, pp. 23</title>
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            <title>1935, no. 102, p. 22</title>
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            <title>1935, no. 101, pp. 20-1</title>
            <description>Sikong Expedition led by Jack T. Young</description>
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            <title>1927, no. 14, p. 32</title>
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